Alizarine

Late Spring Update

This spring has been crazy. International travel, one-person show, looming medical test, backbreaking commission, exciting deck project--no wonder I've neglected my blog! So in an attempt to catch up and maybe not have to write a hundred thousand words in doing so, here's a little photo essay. While you read and look at the photos, I urge you to listen to Steal Away by Robbie Dupree, a song that has been on a constant loop in my head for two weeks, no foolin'.

 

(I can't get on board with the illustration here. I just can't. I don't like the way nearly all Japanese manga illustrators draw faces.)

Anyway, that song's been driving me up the wall, and I'm sorry if it's in your head too, now. There's no getting it out, like those Star Trek bugs.

 

GAH I CAN'T EVEN WATCH THAT!

Off to a bad start, sorry. Here's my update. Bun will make it better.

Last month, completely out of nowhere, a tornado warning hit while Jeff was taking a nap and I was reading. Jeff has a new app on his phone that alerts us to severe weather with a variety of sounds, a different one for every type of warning. The phone was making some noise, but sleeping Jeff and I ignored it because honestly Jeff has about 15 other phone alarms that indicate who-knows-what every afternoon (various calendar reminders and work stuff).

We eventually decided to see what was going on--the weather gave us no indication of impending doom, just some clouds, but indeed a tornado warning had been issued. Jeff scooped up Bun, I grabbed Pache and Q, and we headed to the bathroom. During the scooping process, my phone rang, and it was Melissa calling to tell us about the storm. She was in Champaign, some ten miles west of our house, and apparently actual funnel clouds were happening and headed our way. Here's one of the many photos I saw on Facebook almost immediately, most of them taken by former students who probably should not have been out chasing storms.

We rode out the brief storm with our big-eyed cats. It didn't last long and, as usual, seemed to skip right over us.

I keep meaning to write about my show in Jacksonville! I displayed my wares at the David Strawn Art Gallery during the month of April. This involved three long, 266-mile round trips in the Mazda: one to deliver the paintings, one for the opening, and one to take the paintings home. On the day of my opening, Jeff and I were up before sunrise and drove to the gallery. I gave a 6-hour workshop (watercolor still life) in the Strawn's basement classroom. I changed and put on my makeup in a gas station bathroom, and then we had an early supper with Mom, Dad, Poof, and Tyler before my two-hour opening. After it was over, we drove all the way back home, so that made for a very long but ultimately enjoyable Saturday. I've never had so many people attend one of my art shows and even managed to sell a fair number of paintings. Who knew that Jacksonville was such an artsy town?

Thanks to all of my friends and family who came to see the show. I was thrilled to see Kendra, Rob, Melinda, Kate, Mabel, Lars, Michelle, Grace, Jay & TA, and even Karen Icenogle, my high school art teacher! I hadn't seen her in a very long time, and she looked at me and said, "I love you." It was all I could do to keep from bursting into tears.

In other art news, I've finally begun work on a commissioned painting that's going to take a couple of months to complete at least. It's a wedding present from a top secret groom to his top secret bride. The wedding is in September, so I won't be able to show it to you until then, which is a shame because this painting is, in a word, bonkers. I can tell you that it includes eleven people and eleven statues, and it takes place in a gold and red art deco theater lobby. The painting is huge at nearly three feet by three feet. That was too big for my studio table, so I've moved my whole production downstairs to our bedroom where we have a large desk. I blurred the reference image on my computer there, but I think I can show you a five-inch chunk that is in fact .8 percent of the final picture.

So it's mostly that kind of thing.

Bun loves the new setup because while I work she gets to sleep on the bed and do cute things like this.

Glass Gems 3 is currently on display in Dixon, IL, at The Next Picture Show gallery as part of the Illinois Watercolor Society's national exhibition.

I've been in IWS's last three national shows. That means I'm a signature member of the Illinois Watercolor Society and can now add "IWS" to my signature on future paintings!

Jeff, who appears to be throwing down a gang sign, and my parents came to the show with me and made the day very special.

Artist and judge Donna Jill Witty presented a terrific and dramatic watercolor demonstration during the show. I am the giant black shape on the left that seems to be absorbing all light in the room--I am almost as dark as those aliens from Attack the Block.

That was such a good movie.

In case you've never seen our house, here's what it looks like. It's a American Craftsman house with big boxes added to each end and is delighfully weird. The steps in the center lead to a massive, 760 square-foot deck that we never use and is a bit warped and dated. You can see a corner of it here.

About a month and a half ago, we began taking the deck out. Parts of it were so rotten and poorly constructed that it was almost a simply-lift-with-hands-to-remove kind of situation. Soon it was gone, and now we're dealing with the fun part: figuring out what to do with all of that new space.

We're going to have a table and chairs sitting atop flagstones on the right, a fire pit on the left, dark rock filling in, and a line of lighter rock dividing the space horizontally.

Here's a shot of the Adirondack chairs and fire pit (which I spotted at Menard's, majorly on sale). We put a ring of bricks around the pit and love the way it looks.

Below that will be a rock garden that mimics a dry stream with a bird bath.

Jeff arranged a lot of that on Sunday afternoon as I was taking a shower, and when I looked at it from the living room it instantly reminded me of a brain, which was unintentionally awesome.

We'll have some black mulch and new plants down there, including a rose-of-sharon and a dwarf burning bush, along with vines, grasses, and other flowers.

Here's what it looks like so far (sorry about the bleached-out lighting situation). You can kind of see the flagstones under the table.

Jeff and I often find ourselves staring out the window at this scene multiple times per day, contemplating our next move.

I'm nuts about moss roses and have been planting lots of them. Hopefully no woodland creatures plan to eat them, such as...

Two years ago, we hosted a family of woodchucks. Last year we had foxes. This year our house has become a chipmunk sanctuary. I like to put seeds out for them, and as many as four chipmunks are eating seeds at any given time. The cats enjoy watching these little guys, especially Quixote, who gets incredibly worked up.

We also have some adorable juvie Canadian geese in the neighborhood!

On the food front, I've been trying various experiments in low-cal food that are pretty good but not great enough to merit blogging, such as:

and

And oh, my colposcopy? I'll spare you the details, but suffice it to say that it wasn't as bad as I thought it would be. To amuse myself during the procedure, which is essentially a super-pap, I altered Paul Simon's Kodachrome and sang it to myself with altered lyrics as Kolposcope.

 

Kolposco-o-ope! It gives us those nice bright colors, it gives us the--

You get the idea.

It was essentially no big thing and took maybe five minutes. My area of concern was miniscule, and my doctor told me everything that was happening as I looked up at the ceiling, silently humming my tune. I didn't even faint, and evidently they get a lot of fainters. The doctor told me that based on what she saw, I had nothing to worry about. Unfortunately I was instructed to have zero marital fun with Jeff for ten days afterward so I could heal properly, so that was was a complete drag.

After a few tense days, I called for my results and it turns out I'm basically in the clear. But anyone who gets any kind of abnormal pap test and has a colposcopy/biopsy at my hospital is sentenced to three additional paps during the next year, so I've got that to look forward to. But I have been assured that my test results look very good. The paps are just a precaution, and the hospital presumably has lots of big shiny equipment and snazzy waiting room furniture they need to pay for.

Let's end this on a cute note. Here's Hypatia, one of three cats who piled up on me after the colposcopy. I was recovering under the "wookiee blanket," and Pache showed a certain amount of bravery in climbing aboard, as she is afraid of the wookiee blanket.

Old Caricatures

Let's take a trip back to the early 1990s, shall we? I was studying painting, drawing, and art history at Western Illinois University. Why did I pick Western? It was where my dad went to school, and it was close to home (25 miles), but really, WIU picked me. They gave me a free ride for four years, and most semesters I won additional scholarships, so it was almost like they were paying me to go to school there. I'm living proof that not having a social life in high school (and thereby earning a hefty ACT score) equals big, big bucks...in the 90s.

"Western is what you make of it," one of my advisors told me the first week I was there. "People complain about the Courier [WIU's newspaper] all the time, for example, but the easiest way to change that is to get involved and fix it yourself." During my junior and senior years, I attempted to fix it myself, along with my roommate Melinda. Melinda is an incredibly smart writer, and during her senior year she became the Courier's Editor In-Chief. I took over its (now defunct) arts and entertainment supplement, Clue Magazine. Room 1812 in Higgins Hall had effectively taken over the media at Western Illinois University. Our offices were in Western's Heating Plant Annex, which you can see in the delightful, not at all concentration camp-like photo above.

I was responsible for designing, writing, editing, typesetting, interviewing, and illustrating what you'd see in Clue. The production staff and I did it cut-and-paste style, using the kind of computers a state school might have had in the early 90s, a huge and weird printer machine, and good old Exacto knives and a waxer. I managed a staff of around five writers and our lone photographer, and together we put out a new edition of Clue every couple of weeks. It was a full-time job for which I was paid something like $250 per month.

Would I sound crazy if I said this was my dream job? Other than what I do now, this was my dream job.

"What you've made is a very visual Clue," observed Courier advisor Terry Lawhorn as he looked at the first issue under the Eddington administration. Illustrations were extremely important to me, and I wanted to add at least one to every article we published. Since nobody else on the staff could draw (art majors tended to shy away from journalism opportunities), and since people like Johnny Depp and Kyle MacLachlan (above) weren't exactly available for us to photograph, I created caricatures of the celebrities discussed in our articles, often on the same night that Clue was printed.

I won't say that my Clue set Western on fire, but at least my friends and art professors enjoyed seeing my extra-curricular work. WIU president Ralph Wagoner, who knew me because of the scholarships, liked to pop by the newspaper offices and say hi. He nicknamed me "The La Harpe Flash" which never exactly caught on, but when I told Jeff about it last night, he pouted, "Nobody ever called me Flash..."

(Roseanne and Delta Burke)

The reason I'm writing about this is because on Monday a client asked me if I could draw some caricatures for use in his upcoming wedding, and I dug through a 22(!) year-old sketchbook to find a few examples.

(Andrew Dice Clay and Bob Saget--can you tell this is the early 90s?)

I love drawing caricatures. Before I begin working on one, I'll study whatever existing photos I can find of the subject and try to figure out what makes that person unique. Then I exaggerate those features. If a person has small eyes, I'll make them tiny. If a person has a big chin, I'll make it huge.

Occasionally the caricatures dictated an article's layout. Once I drew a full-length caricature Jonathan Winters (left) just so I could put a review of his short-lived TV series inside his stomach. Next to him is Timothy Busfield, whom you probably do not remember from Thirtysomething.

My caricatures are more gentle/realistic than most, especially if I like the people I'm drawing, but I had no problem being mean when I drew celebrities whose work I didn't enjoy.

I reviewed Young Guns 2, hated it, and drew four mean-spirited caricatures of its four co-stars.

As you can see, I had fun with Kiefer Sutherland's big eyes and Christian Slater's scrunchy face. That review earned me an ICPA (Illinois College Press Award).

So to all you little leaguers out there who are considering joining your school's newspaper, even though print journalism is not exactly the wave of the future and you're studying something else, I say do it. This was one of the most creatively fulfilling experiences of my life, and even now I'll find myself falling into Clue mode, imagining illustrations and coming up with funny headlines for articles no one will write or read. If somebody offers you complete artistic control of an arts and entertainment supplement for which you will be paid scratch, scream YES and have fun.

Paris Part 7

Thursday was our last full day in Paris. We hopped on a morning RER train to take in the sights of Versailles. Jeff's health was beginning to deteriorate a bit, but he was hanging in there with the help of his French cold medicine. I kept a bottle of water for him in my purse, along with some cough drops. The weather was nothing short of ideal, at least, and Jeff knew his way around Versailles. It was my first visit.

The train was about half-full but almost eerily quiet, and the ride was so smooth it seemed like the rails had been buttered or carpeted...whatever. We basically floated over to Versailles during this half-hour ride. Upon arrival we had a quick breakfast, sharing a muffin, coffee, and orange juice, and then it was a quick walk to the palace's golden entrance.

I hadn't realized that a city was connected to the palace of Versailles--for some reason I had assumed that it was in the middle of nowhere. We arrived just as it was opening for visitors.

The court of Versailles was the center of political power in France from 1682, when Louis XIV moved from Paris, until the royal family was forced to return to the capital in October 1789 after the beginning of the French Revolution. Versailles is therefore famous not only as a building, but as a symbol of the system of absolute monarchy of the Ancien Régime.

(That paragraph was from Wikipedia. I'm not much of a Francophile beyond its art and food, and I'll also admit that writing 1,500 words per day about Paris is wearing me out!)

Inside the gates: a massive courtyard formed by the U-shaped palace that faces the sunrise (Louis XIV was known as the Sun King, and this theme was repeated throughout Versailles). Jeff and I guided ourselves through the palace's beyond-grand rooms while reading quietly from his Rick Steves iPhone guide.

I tend to start strong in palaces, but after a while their gold-encrusted splendor and--I'm going to call it colored marble abuse--gets to me. The spaces are often so busy and vulgar that I can't imagine living in them. Versailles was no different, although the craftsmanship and time that went into the palace was not lost on me, and the paintings decorating virtually every flat surface were outstanding.

Chandeliers were everywhere. Since I enjoy painting shiny glass things, I thought it would be a good idea to photograph them for use in a future painting. Most of them didn't quite work out, but I do like the one above. I'm not sure if I'd want to paint it, though. You can see the kind of decoration going on in the palace here, but this room seems low-key compared with some of the others.

Say hello to Marie Antoinette's bedroom, every young girl's dream!

I'm not sure if those floral motifs were painted or embroidered, but either way that's a whole lot of work for some poor soul.

The hall of mirrors, seen here in a photo not taken by us, seems like the length of a basketball court, with seventeen huge, arched, west-facing windows on one side and matching mirrors on the other. At the time of its construction, mirrors were very expensive, so this gallery was a showstopper. And it's a showstopper now.

Since Jeff and I were there in the morning, the lighting wasn't as dramatic. You can kind of see us in the center of the photo. And you can really see Jeff here.

Lookin' pretty good for a sick man!

Jeff's previous trip to Versailles was in the afternoon/early evening, and he took a lovely photo of the moon rising over the palace.

Seeing that photo makes me feel sad, as Jeff was nursing a broken heart at the time, but at the same time I'm so glad he's with me now.

West of the palace: the formal gardens, the canal, and the rest of the grounds that go on for as far as the eye can see. As stupendous as the palace was, I took the vast majority of my photos outdoors that day. Early spring--what an amazing time to be there.

Dewy daffodils and tulips were in bloom in the formal gardens near the palace, and I mined them for future painting gold.

So fresh and beautiful!

It was like they weren't even real.

The dewdrops were so perfect it seemed like Versailles had employed someone to walk around misting the flowers all day.

I couldn't get over how peaceful it was, far from the bustling city, with an infinite number of trees and singing birds. It reminded me of Illinois, just a little bit.

We walked (there was so much walking that day) to the palace's summertime getaway, and beyond that was Marie Antoinette's Hameau de la reine, a model village with a mill and twelve cottages, nine of which are still standing.

The buildings were small, quaint, and situated near a pond with ducks, geese, and a swan.

"Watch me Thomas Kinkade the hell out of this photo," I told Jeff before taking the following picture.

More gardens, more flowers:

Jeff waited patiently for me as I knelt down and snapped away.

He took some photos himself, including this amazing 300 year-old tree.

And I took this one.

During the week we were in Paris, we saw dozens of trees laden with fantastic pink blossoms that looked more like pompoms (see top photo). I couldn't get enough of them.

We strolled around Versailles for three or four hours before we left for lunch at L'Angelique, the fanciest restaurant of our trip, about a mile from the palace. Do click on that link; they have some great photos.

This was another situation where we guessed and pointed at the inscrutable French menu and put our trust in the chef. After we left, we noticed an English translation of the menu in the window and took a photo of it. I've marked the items we selected with J and K. (My dessert wasn't included on this menu, hence no K down there, but please don't panic. I totally had dessert.)

I love "Menu for everybody" at the bottom.

Let's see what they made for us! Please excuse any blurriness--this place was so nice and I was trying to be discreet.

This was Jeff's foie terrine with artichokes. Nice.

When I ordered this, the only word I recognized was "Iberico," and I thought "veloute" might mean something soft like velour. I was rewarded with a creamy watercress soup. In the middle were five or six small slices of what I declared "the best meat I have ever tasted." I thought it was beef and so did Jeff, but it was that famous Spanish ham, so tender I could cut it with a spoon, and so flavorful I couldn't quite believe it. Major.

Next Jeff had a perfectly cooked piece of fish with beans in a butter sauce (bonus foam). On the top was what we think was a fried zucchini flower.

Mine (below) was a charlotte of scallops, and the only reason I ordered a charlotte was because I have always liked that word.

It was so beautiful! The scallops were arranged into a cylindrical form on a bed of baby spinach. Inside the charlotte: artichokes in a tiny dice. It was topped with lime zest and surrounded by an ethereal lime-butter foam. Divine.

Finally, dessert!

Jeff--surprise, Jeff!--had pears with sesame nougat and prune jam. Some kind of caramel component was happening. I can't get over that dried pear slice. Pretty as this was, I was the big winner this time around:

I mean, you can tell this is awesome just by looking at it, no? Ice cream of indeterminate flavor. Whiskey? I don't drink, but it was lovely. Cinnamon/caramel brushstrokes. Chocolate rolls, tightly coiled, that burst into many shards when tapped. The star: a soft caramel dome containing chocolate mousse, and hidden inside that? Hazelnut filling. Basically everything good in the world is in that dessert.

And there was much appreciative murmuring and affectionate cooing going on at our table. Writing about this meal makes today's leftover tomato soup seem very humdrum indeed. Humdrum recipe available here.

We returned to Paris on the train. Sitting across from us were two young women from Turkey who were puzzling over a map. Jeff helped them figure out which stop they wanted. He received big smiles in return and a couple of follow-up questions such as, "How do you pronounce the name of that river?" I love watching Jeff be a hero.

We got off at Notre Dame, walked along the Seine, which is pronounced sen, by the way, and shared a gelato from the famous Berthillon on Ile St Louis. What a gorgeous day that was. The bridge where this photo was taken had a fence covered with padlocks with the names of couples on them. (Painting idea?)

We peeked inside Shakespeare and Co. (hi Terry), which was too crowded to really enjoy...

...but I took a couple of quick pictures of the books because that's kind of my thing.

The Metro was having problems that afternoon, so we walked the rest of the way home, a couple of miles. We picked up a tiny rotisserie chicken and some clementines along the way and snacked on it later that night in the apartment.

It was our last night in Paris, and Jeff was coughing in earnest once we went to bed. He did what he could to medicate himself, and he managed to endure the insanity of Charles de Gaulle and the plane ride home the next day without seeming to suffer too much. (He's on antibiotics and a cough suppressant now and is well on the road to recovery.) 

Jeff plans to write a guest blog here regarding the ins and outs of planning a trip to Paris and how he saved us money at virtually every turn. He truly was the brains of this operation, and I am so thankful for all the time he spent making sure we had a great vacation.

Thanks also to everyone who managed to wade through my ramblings. These trips seem more real to me once I've written about them, and I try to do that as soon as I can after we return. I don't want to forget anything!

You can find the rest of our trip to Paris using these links. Part 1, Part 2, Part 3, Part 4, Part 5, Part 6. And if you're so inclined, you can read about last year's Spain trip starting here.

Paris Part 6

Wednesday was Louvreday! We were excited to return to the museum Jeff had seen twice and I had seen once before, but after walking in the rain all day Tuesday, Jeff had developed a sore throat, not a good sign. He was determined to enjoy the day, and we took the Metro to the museum.

Jeff's sore throat made me think about the thousands of disease-spreading opportunities in the Metro system. I have germophobic friends who would shudder at the thought of us holding onto Metro poles, pushing buttons, opening doors, using escalators and walking up stairs while grabbing handrails, and so on, and then tearing baguettes apart with our bare hands and eating them on the street without even bothering to wash our hands first. What can I say? I probably have hepatitis now.

The Louvre, finally open after three days, was an instant mob scene, and we had made a point to get an early start. We had also read about some secret side entrances, found one, and avoided the line inside the pyramid.

If you've never been to the Louvre, its three multi-floor buildings/palaces are arranged in a U shape around the pyramid entrance. Each building could keep an art lover occupied for an entire day, and it's not like there's much "filler" going on. But here are the things that make the Louvre daunting.

• 15,000 visitors per day = crowd fatigue
• 652,300 square feet = foot fatigue
• 35,000 works of art = eye fatigue

With a starting-to-be-sick Jeff in tow, I made sure we hit the biggies, and this was enough to keep us busy for two or three hours (lost track). Highlights of the highlights:

The Nike of Samothrace (gorgeous photo by Jeff), my favorite Greek sculpture. It's at the top of a huge staircase. When I encountered it for the first time years ago, I approached it through a side door, and while I still cried when I saw it, talk about anticlimactic. I wanted the Nike from Funny Face!

So that's what we got this time. Bonus points to me for wearing red in the Louvre.

I was also reaquainted with Dying Slave by Michelangelo, which is the sexiest thing in the Louvre if you ask me, and Jeff and I don't think he's dying.

The Mona Lisa was in a different room than I had remembered, and she was busy being Bono.

Meanwhile other Leonardos went virtually unnoticed, such as La Belle Ferroniere.

She is soooo jealous of the Bono.

It is always a thrill to see this beautifully-painted, extra vertebrae-having Ingres:

I'd love to paint a portrait this beautifully direct (Ingres' Portrait of Louis-Francois Bertin):

One massive room contained two mural-sized art history favorites...

Eugene Delacroix's Death of Sardanapalus. His kingdom is under attack and he is about to drink poison while his possessions are destroyed (Jeff: "that white horse is like, I want no part of this"), and...

...The Raft of the Medusa by Theodore Gericault. Boating disaster, dead bodies, life raft, tiny rescue ship on the horizon incredible composition. And because we were in France and this post needs more nudity...

...it's Delacroix's Liberty Leading the People.

My main man Akhenaten (compulsory visit must be made to any Egyptian exhibit containing him) and his hot wife Nefertiti:

One ancient Egyptian scultpure I had missed the first time around was Seated Scribe, and I was so happy to see him (surprisingly small; I thought he was life-sized).

We got turned around and passed a row of identical Egyptian baboons a few times...

...all of whom seemed to be saying...

I am obviously leaving out so, so many others, and I feel bad about it, but how can you possibly hope to cover the Louvre in a blog post? How? These were the ones that amused us that day. We had covered two of the three buildings, Jeff was thirsty, and the hoardes of people were getting to us. Feeling like we'd had a good-enough dose of the Louvre, we decided to skip the third building. Again, we'd already seen it, and while I missed the Vermeers and Rembrandts, something about taking off gave me a playing-hooky kind of feeling.

Our vacation! We make the rules!

Plus we were hungry. Jeff led us to La Regalade Saint Honore, a small, slightly more upscale place than the previous day's restaurant. He found it on Paris By Mouth. While we waited for our table, we looked inside Gosselin, the patisserie next door, and I took many photos of their gorgeous cakes (I'm obsessed with these four)...

...and many other treats. Such as:

...and...

I was so blinded by the beauty of the green figs that I'm only just now noticing the little sign that says "DIVORCE." What kind of sweet thing calls itself Divorce?

At La Regalade, we were seated at the table by the left window, great for people-watching. Two waitresses who could switch from French to English *like that* took good care of us, smiling when they changed our spotless plates. The lunch menu was in French:

Excuse me, you printed your menu in Comic Sans?! Suddenly this place was slightly less intimidating.

We were offered a giant amuse bouche in the form of some pickles and chicken terrine, which we spread on baguette slices. It reminded me of something Mom used to make when I was a teenager, and I ate it for breakfast many mornings before school. Tasty and oddly familiar.

We threw caution to the wind and ordered things containing words we thought we recognized. Me: tartlette, supreme, chocolate/caramel/praline/Toblerone. Jeff: coquilles, supreme, souffle chaud a Grand-Marnier. We didn't realize we had ordered identical plats, as I had vascillated before deciding, but all in all it was fun to order this way. Trust the chef!

Jeff received on-the-shell scallops with herbs and Parmesan (he loved them).

My "tartlette" consisted of a flaky rectangular crust topped with an olive/tomato tapenade. On top of that was beautifully sliced, rare salmon, lightly dressed greens, and a parmesan crisp. It couldn't have been more delicious. Trust!

Oh my. This was our main course. Chicken breast wrapped around foie gras with gnocchi, mushrooms, and asparagus in a cream sauce. The gnocchi were extraordinarily delicate little pillows, the sauce was positively voluptuous, and the vegetables perfectly cooked. The portions were exactly the right size, too.

I don't think I'll ever get over this photo. That chocolate thing? That chocolate thing was mine: caramel pudding topped with a milk chocolate layer (ganache?). Inside: some kind of praline cookie and triangles of Toblerone. And look at Jeff's darling, perfect souffle, the first he'd ever eaten. I want to go back to there!

 

And do you know what we did next? We hit the patisserie next door and got more sweets (a chocolate tartlette for me, and a Paris brest for Jeff), which we ate while sitting beside a sunny Tuileries fountain. I was merely doing research--what were their tart crusts like? And Jeff wanted to eat a brest.

Jeff also wanted me to see the Orangerie, a small jewel box of a museum that is home to eight of Monet's large-format water lily paintings. I had seen these (or at least some like these) in Chicago years ago, so I knew what it was like to stand in front of them, but the Orangerie has two oval-shaped rooms built especially for them. One showed the lilies at sunrise, and the other showed them at dusk.

Up close, the paintings approached pure abstraction, with their complex, luminous surfaces composed of many colors scumbled on top of each other. If you go to Paris, you simply must see them.

I'm so crazy about that turquoise section.

Jeff and I have an ugly gray wall on the west side of our house, and the water lilies inspired us to possibly paint a similar mural on it. I think I might--might!--be able to pull that off.

The Orangerie houses many other Impressionist and Post-Impressionist second-stringers, but talk about having a hard act to follow! We toured the other galleries, but I was so blown away by the Monets that I can't remember much about them.

After another leisurely walk through the gardens, we went home. The apartment was becoming home to us! We hit a pharmacy near our building, where Jeff got some French cold medicine.

Later that night, in a snacky mood, we walked up Rue Moufettard in search of crepes. I have never been all that impressed with crepes, especially when you fold them into cones and wrap them in sweaty pieces of paper. They're useful as Nutella delivery devices, and I like watching people make them, but for the most part I found that night's crepes to be tasteless and rubbery.

Ohh, Paris spoiled us so thoroughly. Just looking at that photo makes me want to eat about 25 of them now.

Thanks for reading--only one or two more! You can find the rest of our trip to Paris using these links. Part 1, Part 2, Part 3, Part 4, Part 5.

Paris Part 5

Tuesday was drizzly and dreary, and I was glad I had packed an old black raincoat that I purchased back in 1996 or some other unfathomably long time ago. It was just barely warm enough, and even with a scarf I felt a chill once we set out into the misty morning rain. A hike up Rue Mouffetard (oldest street in Paris, adjacent to our apartment) turned that problem around.

My main concern that morning, and all male readers should skip this paragraph, believe me, was this: it was a heavy day, and I was BLASPing. BLASP is an acronym I invented and it stands for Bleeding Like A Stuck Pig. I can take the cramps because who cares, but restrooms in Paris seemed to be few and far between, and I did not want tampon failure to hit me at some inopportune moment, i.e. any of the moments. So that morning I deployed the biggest tampon in my arsenal and hoped for the best.

We visited the Pantheon, which Jeff had seen before but I hadn't. Built in 1755, it's a church turned secular mausoleum (or "necropolis," a word we took a strange joy in reading). It houses the remains of distinguished French citizens in its crypt, including Voltaire, Rousseau, Victor Hugo, Emile Zola, Alexandre Dumas, and many others. I was happy to see Rousseau's final resting place because he wrote Emile, my favorite book I read for my educational philosophy class at the U of I. And we paused at the sculpture of Voltaire, whose rather wry expression made me smile.

The interior of the Pantheon is decorated with large paintings that tell the story of Joan of Arc and St. Genevieve, patron saint of Paris. I guessed one was by Puvis de Chavannes because of its kind of pastel, granular colors, and I was right. Nice to know I still have my art history chops.

Also in the Pantheon: Foucault's pendulum, a favorite of Jeff's. It's suspended from a 67-meter wire attached to the top of the Pantheon's dome, and its movements demonstrate that the earth is rotating. A cool gif of the pendulum's movements is here.

Something about watching this elegant, beautiful experiment in a grand building that seemed like a church but was not a church touched my heart and made me want to say, "Yeah, Mr. Foucault! Yeah, science!"

 

But for sentimental reasons, I will always prefer Rome's Pantheon.

Time for some chocolat chaud! Jeff had read about a tiny place frequented by students of the Sorbonne called Patisserie Viennoise. We walked in the rain down the shoulder-width sidewalk that led to the place and ducked in for a standing-up cup of warm chocolate goodness. It was less sweet than what we'd had at Angelina and not as thick. I added a couple of sugar cubes to mine, and when I hit the resulting chocolate-sugar debris at the bottom of my cup, it reminded us of our childhood days when we purposely mixed a little too much Quik into our milk.

One of my favorite sites in Paris is Sainte Chapelle, a stained glass lover's dream near Notre Dame. We had read that our museum passes would allow us to bypass the block-long line of visitors, but when we attempted to do so, we were rebuffed. Disappointing! We couldn't bring ourselves to wait in the rain for an hour, so we left, hoping the lines would be shorter on a day when the Louvre was open.

Instead we looked at Notre Dame's facade while Jeff read interesting tidbits from Rick Steves' Paris guide on his iPhone. Did you know that during the French Revolution, the sculptures of the 28 kings of Israel (lined up above the portals) were beheaded? A quick-thinking citizen buried the heads in his backyard to keep them safe, and the heads were eventually replaced. Fascinating! We had both experienced the interior of Notre Dame before, and we decided to get lunch instead.

A side note about Rick Steves. The first book I bought by him long ago was the above phrasebook, and that photo on the cover led me to assume that he was gay, and the giant-headed guy with the hat was his boyfriend, and there they were yukking it up in Paris. In fact, I didn't even know who Rick Steves was at the time, and for a while I wondered if the hatted man's name was Rick, and the blue-shirted guy was Steve, and their travel guide company was named Rick Steves. I later learned that Rick Steves is just one person who is not gay, but come on. Kind of misleading cover, there. And who is that other guy, anyway?

Lunch was at Au Bon Saint Pourcain (photos for this section found via image search). This is a tiny daughter-and-pop restaurant in a quiet area near the Saint Germain shopping district. Pop was a jovial, lavishly eyebrowed character who reminded me of My Dad times Goodfellas cubed. We were among the first customers of the day. He didn't speak English but asked us where we were from, and we said Chicago (it's just easier). "Al Capone!" he laughed. "Barack Obama!" Jeff said. So he was great, and he made us feel like we were in his home.

His daughter (above) kindly translated the day's menu, written on a blackboard near the door, and we selected foie gras, escargot, cassoulet, and boef bourguignon with creme brulee for dessert. We had fallen into a pattern of eating our big meals at noon with random baguette and candy snacking at the apartment in the evening, so we went all-out with this meal.

Also in the dining room: a happy young couple from Norway and a darling older pair from Arizona (celebrating their 45th anniversary in Paris!). A sweet little dog named Vikki worked the room, asking for and receiving bites of food from everybody.

Appetizers!

The foie gras was dreamy and rich as you please, with a fig(?) jam that added a perfect sweet counterpoint. The odd brown dish on the right housed the unshelled escargot, one snail per depression, all blazing hot in a butter, garlic, and herb sauce. We shared them and eagerly awaited our main courses.

My plate! I've made boef bourguignon before, but never with olives. Their bright saltiness permeated the sauce, and the beef was incredibly flavorful. Perfect comfort food on a rainy day. But what stole the show was Jeff's cassoulet.

That's a duck leg buried in a stew of sausages and white beans. An extra plate was provided for the leg, which Jeff removed from the bowl. And then the soft moaning began. Ohh this was a winner. We shared both dishes, but I'll admit I was jealous. The cassoulet was one of the best things I've ever tasted, with a golden, velvety sauce. It seemed somehow homey and familiar and yet so much better than any stew or casserole I'd ever had. It was just heavenly, as was the creme brulee, which we cracked into and consumed before I realized I hadn't taken a photo of it.

This was a perfect dining experience, the kind you hope to stumble upon in an unfamiliar city but never do. When does the owner joke with his daughter, hang out with the customers while they eat, shake their hands, and give them complimentary postcards when they leave? When do you make friends with decades-older people sitting at the next table? Magical.

I couldn't bring myself to ask them if I could use their restroom. That's how good it was.

Walking fatique setting in, we paid an abbreviated visit to the Musee D'Orsay (photo at top; it used to be a train station). It boasts an outstanding collection of Impressionist and Post-Impressionist art, and as always I enjoyed playing docent for Jeff. I'd like to know what percentage of my brain contains art fun facts usable only in museum situations. Oh to have picked up a marketable skill while in college! Kidding. I love my fun facts.

Both of us had pored over this museum before, so we hit the highlights and called it a day. No emotional outbursts for me this time. I hope I'm not becoming jaded! It's a major thrill to see a favorite painting for the first time, like meeting David Bowie might be, !!!1!OMG IT'S DAVID BOWIE!!1!!!, but after that its impact isn't as overwhelming. It's more like seeing a beloved friend. Hey David Bowie, how's it going? I'd also seen some of the Musee D'Orsay's biggest guns (Monet, Van Gogh, Gauguin, Renoir) at special exhibitions in Chicago, so I had encountered a few pictures as many as four or five times already. Still, Van Gogh's Church at Auvers, one of his final paintings, packs a real punch, especially that haunting, unbelievably blue sky.

Out in the rain in front of the museum, a couple we met on the flight from Champaign to Chicago and then from Chicago to Paris recognized us, and we had an odd little "we are from the same place and now here we are in this other place!" reunion. Based on visual clues, Jeff manufactured a backstory for them, Sherlock-style, afterword, concluding that they were recently married, second time for both.

 

Since we were in the area, we checked out the Grand Epicerie, a gourmet market. It was loaded with attractively arranged foods and beverages from around the world, but the atmosphere was kind of sterile compared with Spanish and Italian markets we had seen. Plus, I was told that I couldn't take photos inside after I had captured this apparently top-secret selection of cheeses.

Please do not prosecute me for sharing this photo, Grand Epicerie cheese police!

Male readers, look away. I'll see you next time.

And then, and finally then, ladies, we ducked into a department store several blocks from the D'Orsay where I could check out the tampon situation. The river was cresting, but levee had not yet broken, and this marked the first time that I had ever said thank you to a used tampon as if it were some kind of teammate.

Thanks for hanging in there, everyone who's still reading this! Two or three installments to go!

In case you missed them, here are the other installments. Part 1, Part 2, Part 3, Part 4, Part 6.

Paris Part 4

Monday morning was still Easter as far as Paris was concerned, and that meant no museums for us. Instead Jeff and I journeyed over to Sacre Coeur and Montmartre. The weather was cool, breezy and overcast--a huge improvement over the weather I had experienced when I was there, which was shade-free and stagnant with a 100 percent chance of skin-sizzling sky-lasers. (Jeff took the above photo during his November visit.) Sacre Coeur sits, cherry-like, atop the hot fudge sundae that is Paris. Over a decade ago I climbed three-fourths of the way up its many, many stairs in the merciless noonday sun before concluding that I preferred not dying of heat stroke to putting a check in the box for Famous Church #104,939.

Jeff showed me that life didn't have to be that way, and for a few euros we rode the funicular, a.k.a. Wuss Train, up to the top. My feet were really starting to hate me by then, after days of walking for miles and miles, and because of possible rain I wore my leather boots. They're knee-length, and I wear them with socks inside of tights. Their footpad is...acceptable. That day one sock decided that it didn't want to stay up, and it bunched itself into a little ball beneath my instep, enraging me.

Anyway, Sacre Coeur, i.e. Sacred Heart. Here's the view, once again from Jeff. The interior wasn't nearly as interesting as the exterior, especially its strangely elongated domes, which reminded me of my favorite pharaoh Akhenaten's daughters' heads. I've thought about Akhenaten at least once a week for the past twenty years and will mention him at the drop of a hat. Please do not question this.

Here's the thing about Sacre Coeur that I missed the last time I was in Paris: everything going on behind Sacre Coeur. One would assume that on the other side of this church you'd see a whole bunch of steps headed back down the hill. Totally wrong! On the other side is the bohemian area of Montmartre I'd come to romanticize while studying 19th-20th century art history. Let me just throw some green underlined names at you: Vincent van Gogh, Henri Matisse, André Derain, Suzanne Valadon, Pierre-Auguste Renoir, Edgar Degas, Maurice Utrillo, Henri de Toulouse-Lautrec, and African-American expatriates such as Langston Hughes worked in Montmartre and drew some of their inspiration from the area. And it was bizarre and to see their actual homes and studios, as if they were at one time real people in human bodies moving around and making things.

And how about their hangouts, such as La Maison Rose, which from a distance looked like a child's mural of a pink restaurant?

Or the Lapin Agile (the nimble bunny!), too adorable to be believed, where I sat on a bench, took off my boot, and pulled up that lousy sock of mine?

Too much.

Pablo Picasso, Amedeo Modigliani, and other impoverished artists lived and worked in a commune, a building called Le Bateau-Lavoir, during the years 1904–1909. According to Picasso biographer John Richardson, this studio complex sounds completely horrible:

"The place was so jerry-built that the walls oozed moisture--'glacial in

winter, and a Turkish bath in summer'--hence a prevailing smell of

mildew, as well as cat piss and drains....On a basement landing was

the one and only toilet, a dark and filthy hole with an unlockable door

that banged in the wind, and, next to it, the one and only tap...

There was no gas or electricity."

And yet, and yet, and yet...in that yellow-ish building (well, the original was destroyed by fire; this is a recreation), Picasso had his blue, rose, and early cubist periods. Les Demoiselles D'Avignon was created here. Modern art was born here. Ground zero.

It took my breath away, and eight days later I'm still reeling and near tears just thinking about this place and the dark, leafy trees nearby. No one else was around when we were there, and a small display in a window confirmed that yes, this was it. I was on holy ground, and for me this was the highlight of our trip. I will never forget it.

Wow. How about some candy? Please watch this video about A l'Etoile d'Or.

 

 

Denise Acabo, the sweetest woman in Paris, welcomed us into her tiny candy store and, since we couldn't understand the French descriptions of her many chocolates, we asked her to please select some for us, whatever she liked. We were the only customers at the time and received her complete, doting attention as she spoke to us in charming, broken English. We were touched by her kindness and her obvious love of her wares--she became visibly excited as she described each one to us. We left the store with a bag of candy and the feeling that Paris had just given us a hug and a kiss, and we ate the chocolates in bed that night.

Art history and sweets out of the way, Jeff was a man on a mission to eat the best baguette in Paris, and I'm going to let him take over for a couple of paragraphs.

On my last visit to Paris, I became obsessed with baguettes a la ancienne. I purchased a book by Peter Reinhart called The Bread-Baker's Apprentice and baked many a loaf attempting to get the flavor, texture, crust, and crumb right, with some decent success. So, on this trip, I wanted to try baguettes from a few of the places Reinhart, and others on Chowhound, had mentioned: Gosselin, Eric Kayser, and Julian, plus also Au Levain d’Antan, the winner of the 2011 Best Baguette in the city award-- in Paris, the size, shape, and ingredients of a baguettes de tradition are regulated, so it's easier to compare.

On our trips around Paris, we hit each of these boulangeries. I expected Gosselin to be my favorite, since it was the one touted by Reinhart, but while I found it good, the inside was too yeasty for me. The Kayser and Julian baguettes were similar--very good, large crumbs, a sweet inside from the longer fermentation process, and better than anything I could get in Illinois. But, in the end, I agreed with the judges. The Au Levain d’Antan baguette was amazing. The outside crust was hard, but crumbly, with strong flavor. The inside was all holes and sweet, moist bread that was delightfully chewy. We ate half of the baguette walking down the street to the metro, and the rest almost as soon as we arrived home. Just one more thing to haunt me now that I've returned home.

Madame Manners says, if you eat a baguette on the street, break off pieces small enough to place in your mouth; don't tear into it with your teeth.

[I'm back.--Kelly] After a walking past dozens of sex shops lining a street called Place Pigalle, which I had never heard of but Jeff seemed to very much know about, we let Montmartre in search of lunch in the form of Le Bistro Paul Bert. But--ack!--it was closed.

So we began a long walk in the general direction of our apartment. A few days earlier we had spotted a restaurant that served mussels, dubiously called Academie de la Biere, or Beer University (not to be confused with Bovine University). We walked at least a mile into the increasingly brisk and damp wind, craving protein and the absence of the increasingly brisk and damp wind. We hoped that Beer University would be open, and it was! We sat at a communal table--next to us was a group of about eight people leisurely finishing a big meal--and ordered what ended up being a mother lode of mussels. Restaurants vary wildly when you order mussels, we've found, and we were awestruck by the huge bowls of mussels and fries set before us here. We could have easily shared one order, but here were two.

(The fries, of course, did not meet Jeff's exacting Belgian standards. Sigh.)

But the mussels were great--a ridiculous 75+ per serving, we estimated. Mine came in a wine-cream sauce, and Jeff had curry. It took us a while to mostly-finish them, and we tore off pieces of our prize-winning baguette and dipped them into the sauce. Jeff ordered a Belgian framboise beer that he liked, but our waitress winced when he pointed to it. She pointed to a different framboise called Grisetta, quietly insisting that he order it instead, which Jeff did.

And now Jeff has a new favorite beer.

Warm, happy, and stuffed to the gills, we walked back to the apartment. With the aid of Dropbox and his computer at home, Jeff managed to stream the previous night's episode of Mad Men on his iPad. He hung it from the light fixture over the bed using his belt. Such is our love of and dedication to Mad Men.

Another lovely day. That night I wrote:

I feel so closely bonded to Jeff when we are in a foreign country. We kind of exist inside our own bubble anyway, but when our surroundings change, we don't know a soul, and we don't speak the language, a second bubble envelops us. And this place is so beautiful, romantic, and the food is simply incredible. I adore my husband.

In case you missed them, here are the other installments. Part 1, Part 2, Part 3, Part 5, Part 6.

Paris Part 2

Let's hear it for jumbo meringues as big as your face! As someone who likes to make, eat, and even paint desserts, I can say that Paris is a wonderland of beautiful sweets, and Jeff and I felt like Hansel and Gretel most of the time.

In an attempt to adjust to Paris time quickly, we resisted the temptation to take a nap (I had been awake for 20+ hours by then) and headed in the general direction of the Eiffel Tower. Jeff's iPhone has an app that helped us navigate the Metro system--all you have to do is type in where you are and where you want to go, and the app tells you what lines to take and where to get off. Highly recommended if you have no sense of direction like me, and a nice backup if you know what's going on, like Jeff.

In case you've never been to Paris, the Metro is an efficient and reliable way to get around once you understand it, and if you enjoy surreptitiously glancing at bored Parisians without being some kind of creep, it's truly the way to go.

The Metro is also a great way to get The Metro by 80s pop group Berlin firmly lodged in your head for days at a time.

 

Jeff wanted to treat me to a couple of surprises before we did any actual sightseeing. "I think we should get some chocolate first," Jeff said, and have truer words ever been spoken? Does a more agreeable sentence exist in the English language? Soon enough we were gaping at an over-the-top variety of candy from chocolatier Jean-Paul Hevin. The small shop's interior, which looked sort of like this (forgot to take photos due to excitement), displayed the chocolates under glass as if they were precious jewels.

We bought a small grab bag (grab box) of variety chocolates and sat on a bench across the street and shared them, marveling at the unexpected flavor combinations and also loving the old reliables. Again I was too excited and hungry to take any photos, but I believe that blog photos of chocolate are a form of torture to most readers; wouldn't you agree? So here's a picture of the box instead.

Also photographed: my leopard (cheetah?) print gloves, big chunka Navajo turquoise, and red coat. Something about seeing those colors together brings me irrational joy, and when I wasn't surreptiously glancing at Parisians on the Metro, I amused myself by looking at my left wrist.

Chocolate appetizers devoured, Jeff led me to Le Petit Cler, a restaurant he'd researched that used pain Poilâne in its croque monsieur/madame. This was a huge deal to us because according to food writer David Lebovitz, pain Poilâne is "considered the best bread in the world."

The world!

Also we have had a four-year running joke about a dish I fix called croque monsieur bake, and loosely translated "croque monsieur" means "mister crunchy," and I'm sorry but few things are funnier to me. If you'd like to learn more about Mr. Crunchy, and I don't know why you would, please click here.

We sat in Le Petit Cler's very petit dining room (which was doing brisk, late-lunch business) and waited for our Crunchies to arrive, elbow-to-elbow with locals and a number of their children. Sidebar: French children were a revelation to us, and recent articles like this one rang true. Patient, quiet and exceptionally well-behaved as a rule, they made American children seem like entitled little monsters, I'm sorry to say. (And while I am not a parent, I worked in a middle school for years and witnessed firsthand the best and the worst that American children have to offer, believe me.) While in Paris, we saw one child throwing a legitimate fit while outside a toy store. His father consoled him while a sibling recorded the event on his camera--could tantrums be so rare in Paris that they are filmworthy? This outlier aside, we found a kinship with these serious mini Parisians and admired their cuteness.

HEY FOOD.

What you have here is a 4"x10" oval slice of the aforementioned pain Poilâne, its interior soft and complex, its exterior crunchy and slightly smoky, topped with a slice of ham and an exorbitant, indecent amount of Gruyere cheese that had been broiled until bubbly and golden brown, and crowned with an egg. It was one of those dining experiences where the food was so good and we were so tired and hungry that all we could do was gaze across the table at each other, slowly shaking our heads in disbelief.

And then we were off to find an Art Nouveau doorway Jeff's daughter Melissa thought we should see:

The address of this doorway: 29 Avenue Rapp, just a random street. Salvador Dali called this the most erotic facade in Paris, and it includes a bust of designer Jules Lavirott's wife in the center, Adam and Eve, and a giant penis. Oooh, dirty architectural joke, let's try to find it!

Soon we rounded a corner and WHOA EIFFEL TOWER HELLO.

In my previous trip to Paris, I had not visited the tower and was never anywhere particularly close to it, as my companion didn't want to do anything touristy. But honestly, suddently encountering the Eiffel Tower looming like Godzilla in the middle distance was a flat-out thrill, and ladies, I'm sure you know who I felt like.

 

We walked to the tower, becoming increasingly giddy. It's just so big. I've seen it a million times in books, movies, and on television, but those don't capture the scale of the thing, especially when you're close enough to see the underside of its lower platform. It occurred to me that the Eiffel Tower is like an upside-down tornado, and that idea made me love it ten times more.

Predictably, the closer to the tower we got, the crazier the number of tourists became, and we couldn't bring ourselves to stand in their endless lines. We enjoyed the tower from ground level and were more than content with that.

(The next photos of the tower were taken by Jeff when he was in Paris about a month before he met me.)

It started to rain, so we made our way back home. We pulled out the bed, checked our email, listened to some highly appropriate Lou Reed songs on Jeff's iPhone (it plugged into the apartment's alarm clock), and we fell asleep.

 

In case you missed them, here are the other installments. Part 1, Part 3, Part 4, Part 5, Part 6.

Paris Part 1

For those of you who have been on pins and needles over the past two weeks, wondering how my Jacksonville show went, it was terrific. My best show so far! I wanted to post about it right after it happened, but I had a cartoon to make followed by a week in Paris, and I didn't have time to add blogging into the mix. But it will happen after this Paris series is over.

So! Paris! How about that?

Jeff and I (mostly Jeff) planned this trip for almost a year. He used his internet-fu to find a modern, inexpensive apartment and credit card frequent flyer mileage-fu to ensure that our flights were free. A former project manager, Jeff figured out a daily plan of action designed to pair places we wanted to visit with nearby, incredible food. I was happy to let him take over because (a) he does it so well, and (b) preparing for two one-person shows in nine months was kind of overwhelming for me. Jeff has helpful travel advice that he will either dispense throughout my posts or write as a stand-alone guest blog. He was sick during the last third of our trip, and he still is, and right now he wants to curl up on the couch and watch Lonesome Dove, and who can blame him?

Both of us had visited Paris before with other people. Jeff was in the process of breaking up with his person, and I had broken up with my person many months before the trip, but tickets had already been purchased, and how often does one get the opportunity to see Paris, anyway? Jeff spent a cold, drizzly week in November walking around by himself during a Metro strike, and I endured blasts of record June heat sandwiched between dutiful visits to every art museum in the city, plus the most important churches and a side-trip to Chartres. All that slogging around meant nonstop McDonald's haute cuisine eaten on the run for me, so I left with no real idea of what French food could truly be, and Jeff's person...let's just say she was a lot more disciplined than some bloggers you might know.

Oh hi.

This time Jeff and I employed a two-pronged plan of attack for Paris. Prong one: romance. Prong two: pleasure. Notice how neither prong involves crying, sweating, angst, boredom, fast food, forced marches, shivering, ennui, disgust, or resentment--I'm telling you, it's hard to have a good vacation with any of those in the mix.

So this time if it was mind-crushingly educational and we had already seen it, we usually skipped it. If someplace fun was a drag years ago, we aimed to right that wrong. Our rose-colored glasses were still firmly on, thank you very much, and we were set to have some damned fun in Paris for a change.

My parents, Melissa, and Jeff's folks kindly offered to watch Bun, Pache, and Q while we were away. Mom and Dad did most of the heavy lifting in that regard as they fed, watered, and medicated the cats (as per my ridiculous three page document's instructions) for five days. I'm so thankful for everyone's help--I don't think I could have boarded Bun at the vet's with a clear conscience. The cats were happy to see us when we returned home last night, and as I type this, Bun is sleeping at my side. We missed them every day we were gone.

Here we are, all smiles and energy at the very beginning of our trip. We flew out of the Champaign airport to O'Hare at around noon last Friday, and from there we traveled to Paris, arriving on Saturday morning.

We packed lightly: Jeff had a backpack and I had a smallish wheeled carry-on and a medium-ish purse. In fact, we packed so lightly that airport officials gave us looks of disbelief on two separate occasions. A Frenchman called us James Bond and Mata Hari--that's right, we pack like spies. I managed to cram four black dresses, extra shoes, and a second coat in my carry on, and I pruned my toiletries down to the bare essentials (tampons had to be included because of course they did).

The eight-hour flight to Paris was tough for me. Jeff fell asleep almost immediately after our kinda-supper. He chose the chicken, and I chose the pasta, but I should have chosen the chicken. A couple of hours later I started to get some low-level "what if it's food poisoning?" feelings. You know the ones. They're sweaty and you feel trapped in your window seat because your darling husband is sound asleep beside you and you can't concentrate on your book and your Kindle's little video game (Bubble Buster, five stars) is making you seasick and you start to think about the best way to throw up in an airplane bathroom and how horrifying that would be and the plane is dark now except for the movie and ugh if it's food poisoning that means you'll be violently ill four or five times before it's all over...what's your only option?

Mind control. Meditation. Go to your happy place and breathe and count. Failing that, watch what's playing on the entertainment screen way over there to your left and try to understand the plot without the aid of your headphones. The movie is a Pixar-wannabe animated feature called Rio and it seems to be about a blue parrot, and there's all kinds of rapid-cut flying sequences involving thousands of birds spiraling down into jungle vortexes and singing a lot...

 

...and best not to watch that anymore so let's meditate. Or maybe watch the moon move across the sky. Spend a couple of hours doing that before you feel like maybe you are out of the food poisoning woods.

We arrived without incident in Paris not too long after sunrise. Charles de Gaulle Airport was alive with a writhing mass of people hell-bent on spending Easter somewhere other than Paris. The intimidatingly long lines gave us no hope for an easy departure a week later, and is it just me or has CDG changed from the futuristic, roomy playground made famous by U2's Beautiful Day video (total dick move at 1:14)...

 

...to a baggage-ridden, concrete hellscape from which there is no escape?

Luckily, we found the right train that would speed us toward our apartment in the 5th arrondissement, a.k.a. the Latin Quarter. I was wearing the coat I wore in Spain--based on weather forecasts (highs in the 50s, lows in the 40s), light wool seemed like my best bet. Except it was red, and every "what to wear in Paris" website suggested that dark neutrals were the way to go. A couple seemed to think that red was borderline acceptable, but one should be prepared to stand out (indeed, this was the case). A few days before we left, I floated the idea of going rogue/rouge on Facebook and received 48 "likes," but by then my mind was already made up. I was wearing red.

Exact shade: effyou red.

We emerged from the appropriate Metro station and boom, we were in Paris, Luxembourg Gardens area. We grabbed an Eric Kayser baguette, rolled our spy luggage down long streets and through a medium-sized open market where some Italian guys applauded my coat, going, "Bella, red!" Ahh, affirmation.

Our apartment was at the top of a building that housed a library on its ground floor. After huffing and puffing our way up 100 spiral steps--Jeff counted--we arrived on time to meet Isabelle, our landlady. Hip, friendly, and speaking impeccable English, she showed us around the tiny but modern and cleverly designed studio apartment (approximately 16 square meters). It included a living area with a pull-out bed, a wee kitchenette, and a bathroom. New appliances. The apartment was spotless and just what we were looking for. A link to it is here. If any of you are interested in renting this space, let me know, and I will pass your info on to Isabelle. You can rent it directly from her if you like.

Everything had a function, and there was no wasted space. Free wi-fi! The ceiling slanted sharply down near the windows, which were flung open to reveal this view to the left...

...and this view to the right.

We were happy, exhausted, and ready to explore Paris.

To be continued!

In case you missed them, here are the other installments. Part 2, Part 3, Part 4, Part 5, Part 6.

Studio Assistant

Finished just in time to be included in my Jacksonville show, here's Studio Assistant. This is a 13.5"x10.5" watercolor that I thought I might finish in just a few days, but it actually took about twice that long. Jeff and I kept getting interrupted with errands, voting, family responsibilities, home improvement projects, etc. Also, there's a lot more to this painting than I had originally thought. Little containers filled with paintbrushes take some time! Bun was in fact the easiest part of this painting--I think this is the sixth time I've painted her. Example:

Bun has always enjoyed watching me paint. Back when she was very young, she liked to bat at the end of my paintbrush or pen...

Sometimes she'd even lounge on in-progress paintings.

Since then she has taken on a more supervisory role...

...and is now my toughest critic and harsh taskmaster.

(Apologies for posting that photo yet again. I'm just crazy about it.)

One day last fall Bun hopped up on my painting table, and she seemed to be posing for me. I took a few photos before she moved on to more pressing matters.

This photo captured Bun's seriousness and illustrated how surprisingly small she is. In certain situations, sometimes her head can appear to be too big for her body, and that is adorable.

The photo was great, but the lamp was in the way. So I edited and moved a few things to create a vertical composition.

Clockwise from the top left corner:

• Some (fake) poppies in a vase made by a grad school acquaintance--he gave it to me in exchange for a ceramic mask I had made.
• Metal sign with a giant letter R (used to advertise a Robert Rauschenberg exhibition). In my Match.com profile, I mentioned that R is the most attractive letter because it has it all: curve, straight line, diagonal. And that's probably the top reason why Jeff decided to contact me.
• Beloved Achewood comic strip discussing the awfulness of the Comic Sans font. Contains bad language.
• Bun
• The panel behind her seems to mimic her tabby pattern.
• My water container. The lid says "Fido" and claims to be made in Italy.
• Plastic ruler I can't seem to find at the moment.
• Raku turquoise dish holding paint tubes. I wish they were arranged more attractively.
• One of the first ceramic containers I've ever made--a blue string of pearls loops around it.
• My graphic design professor made the larger container, and he gave it to my watercolor professor, and he gave it to me. Inside: pencils, an old brush, a couple of screwdrivers, and a Ralph Wiggum thing you can put on your car's antenna.

Prints of this painting are now available here on Imagekind. But before you go, let's enjoy some Ralph quotes.

 

Please come to my show!

I'm excited to announce that my watercolors will soon be on display in a one-person show at the David Strawn Art Gallery, including this brand new painting called Planets and Foil. (Info about this painting is coming soon, and I know they're not planets.) The gallery is at 331 W. College Ave in Jacksonville, Illinois, which is a small-ish college town located between Springfield and St. Louis.

The show opens on Saturday, March 31 from 6-8 pm. Want to see me give a five-minute mini talk about my work? Be there at 6:30. See the woman on the far left (photo found via Google image search)? That'll be me, and I hope one of those other people will be you.

Apparently a friend of a friend passed my name along to the powers that be at the gallery, and they invited me to display my work. I've never been to the Strawn before, and I couldn't find many photos of the gallery's interior except for the one above, but I do know the building looks like this:

I'm already crazy about this place.

I'll be giving a (sold-out) watercolor workshop at the gallery most of Saturday--similar to the one described here--and the show opens that evening. It will be a long day for me, but hopefully it will also be a lot of fun.

I'm hoping the gallery's regulars will attend the opening, and I know my family and some area friends plan to show up, including such Alizarine superstars as Poof, Jeff, Mom, Dad, Tyler, Terry, Melinda (possibly Kate and Mabel too), along with other fabulous people possibly unbeknownst to you such as Kendra, Zinnia, Chris, Jenny, Rob, Melanie, my young penpal Grace, Jay, TA, Annie, and hopefully many more people to whom I sent postcards. Bun will not be there, but she does star in three paintings, one of which I am working on right now.

And I'd love to see you! Please, if you are in the area and are the least bit curious about my paintings, come to the show. It's free!

You'd better believe we'll have refreshments including unnamed mystery snacks provided by volunteers, soft drinks, and fancy fancy wine. Come for the art, but stay for the snacks and especially the harp music that will be rocking the gallery all night long.

If you can't attend the big opening, my work will still be at the gallery during the month of April (click here for hours).

One of my new paintings, Glass Gems 3, will be at the gallery for the opening, but after that I'll need to take it home. It's been accepted for the Illinois Watercolor Society's national exhibition, which is terrific, but unfortunately there's some overlap with the Strawn show. I will replace the original with a print that will look just like it, thanks to the wonderful printmakers at Imagekind. Please visit Imagekind if you would like to purchase a print of any of my paintings--see this post for details (scroll way down).

Thanks as always for reading my blog, and I hope you can come to my show! (Excuse the bossiness of this banner.)